The food was placed on the table and with muted, ‘could you
please pass the salt’, or the potatoes or such. Nobody wanted to say anything.
Everyone was worried about our younger brother. We had not heard anything since
our parents had left for the hospital. Each of us had our own impressions of
what we had last seen and being young minds with vivid imaginations, we had
probably each imagined it was worse than it may have been. I know I had. I had
honestly believed that I had killed him. And even when carrying him home
streaming blood from his injury, I did not think he was going to make it. We ad
imagined so much
That was how it used to be. Our imagination was put to good
use. We would read books (we had that advantage over many of the children of today)
and had to create from the words, the very content and structure, the shapes
and colours of what we were reading. We had to comprehend the actual emotions.
We needed to read a wider variety of subject matter to understand what was
being discussed and considered. It required awareness of history and a general
knowledge of the world, the countries and customs. Knowledge of the sciences,
and the arts. It was important to be well informed to appreciate the individual
nuances of any piece we were reading. The more we read the more we needed to
read. And given the education that already existed in our house, with the
sharing of knowledge between siblings, and access to information above what
would be normal for our years, we acquired a sound understanding of the world.
This is particularly obvious in observing the difference
with visuals used in films of today, compared to the films of the past. If you
have ever truly watched some early thriller movies such as Alfred Hitchcock’s
‘Psycho’ and then observed a modern version thriller. They (the film directors
and producers) no longer leave it to the imagination. The modern visuals seem
to insist on showing the actual knife/sickle/sword/trident, slicing into the
victim. Often in slow motion for effect, but consequently sacrificing the vividness
of the ‘concept’ by showing exactly how it looks. Rather than the ‘terror’ of
the ‘imagined’ effect. This is one of the biggest disappointments in such films
for me today. Wasting of my imagination.
(Continued
tomorrow)
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